Exhibitions

When the German army advanced into the western territory of the Russian Empire (Poland, Lithuania, Belarus) in the spring and summer of 1915, the German soldier encountered a physical and cultural

Many thought World War I would be over in days, surely by Christmas. To many, Christmas was a time of peace and goodwill towards others, the celebration of the Prince of Peace.

Presented for the 100th anniversary of the Allied landing at Gallipoli in April 1915, this exhibition of artworks drawn from the prolific collection of the Australian War Memorial commemorates the

Romantic and patriotic scenes were created on silk and cotton and wool felt.

Dutch artist Louis Raemaekers, described as the “supreme cartoonist of the war,” used his pencils as a weapon to create powerful impressions characterizing and criticizing the nature and legacy of

At 402 feet in circumference and 45 feet in height, the Panthéon de la Guerre was not only the most ambitious artistic undertaking during World War I, but upon completion in 1918, it was c

Individual Americans immediately volunteered for humanitarian and military service primarily with the Allies after World War I broke out in 1914.

This special centennial exhibition, Fields of Battle, Lands of Peace: The Doughboys, 1917-1918, features the incredible contemporary photographs of Michael St Maur Sheil, depicting the bat

When Great Britain entered the war, so did Canada. Prime Minister Robert Borden issued an appeal for a “supreme national effort” and offered Canada’s assistance to Great Britain.

“During The Big Brawl: Humorous Imaginings” (“La Grande Bagarre: Fantaisies Humoristiques”) is a collection of political cartoons created by Gustave A. Wendt between 1915 and 1916.

A special exhibition tracing the Panthéon de la Guerre’s remarkable journey opened in 2012 in conjunction with Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-19